Skip to main content

Good Girls and Sex: Just Say "No!"

"It's kind of a double-edged sword, isn't it? If you say you haven't, you're a prude. If you say you have, you're a slut. It's a trap. You want to, but you can't. And when you did, you wish you hadn't."  Allison (Aly Sheedy), The Breakfast Club, 1985

Allison and Claire, The Breakfast Club, 1985


In film, we see several stereotypes related to women and sexuality. One example is Claire in The Breakfast Club.  Although she is clearly uncomfortable with conversations about sex, the other characters push her with questions about her sexual history (or lack of sexual experience). The other female character, Allison, explains the dilemma "good girls" face: if you don't have sex, you're considered an uptight prude, but if you do, you're considered a whore. This "good girl" trope is often used in horror movies, where the sole survivor (the Final Girl) is either a virgin or a non-sexualized, chaste woman who keeps her clothes on and avoids drugs and alcohol. Promiscuous female characters, and those who behave badly by drinking or doing drugs, are the women who become victims of the antagonist.

Virginal "Final Girl" Nancy Thompson (Heather Langenkamp) in A Nightmare on Elm Street (1984)

Many of our media representations of "good girls" are also tied to race. In a 2014 article for Rewire, Erika L. Sanchez asserts that the "good girl" image frequently seen in pop music is almost exclusively white: for instance, stars such as Debbie Gibson, Britney Spears, Miley Cyrus, and Taylor Swift. While several of these artists have since worked to shed the "good girl" image, Sanchez points out that you rarely see a black artist marked this way. Like many scholars of intersectional feminism, Sanchez notes that black women have been stereotyped as dangerous, sexually promiscuous, and deviant, whereas white, middle-class young women can be marketed as sexy, but still virginal in a way that is appealing to the male gaze. One exception to this is Whitney Houston, who was often marketed with a "good girl" image by the media and her label in her early career.

Whitney Houston as a young "good girl."

References

A Nightmare on Elm Street (image). 1984. Accessed at https://www.slashfilm.com/985113/the-scariest-scenes-in-a-nightmare-on-elm-street-movies/

Sanchez, Erika L. "Pop Music's 'Good Girl' Complex." Rewire News Group, February 6, 2014. https://rewirenewsgroup.com/2014/02/06/pop-musics-good-girls-complex/

The Breakfast Club (image), 1985. Accessed at https://filmdaze.substack.com/p/anti-queerness-and-the-pinkification

Whitney Houston. Accessed at https://www.theguardian.com/music/gallery/2012/feb/12/whitney-houston-in-pictures

Comments

Popular posts from this blog

Silencing Women, Viewing Women

If you watch mainstream films within the United States, you are familiar with the stereotyped images of women they feature. The Trophy Wife (or Girlfriend). The Man Stealer. The Sassy Latina/Black Best Friend. The Manic Pixie Dream Girl. The Sexy Secretary. The Evil Stepmother (or Evil Sister). The Asexual Career Woman. These stereotypes have been seen on screen so many times, for so many years, that many people do not notice their underlying sexism. How have filmmakers been able to perpetuate these stereotypes for so long? When we look at gender inequality in the film industry we can begin to understand why women continue to be stereotyped and objectified on screen. Only 9% of directors and 15% of writers are women .  Gender inequality in the film industry. Data and infographic by filmonomics @ slated One way that we can begin to change this is by supporting films that are written and directed by women and that pass the Bedchel test . The Bedchel test was created in 1985 by graph...

Gender in the Arts

While researching depictions of women in art, I came across a section of the Museum of Modern Art (MoMA) website entitled " Constructing Gender ." According to the site, "Many artists have used their work to examine, question, and criticize the relationships between gender and society." As part of this section, MoMA presents seven images that address the social construct of gender, ranging from the 1920s to the 2000s by artists such as Frida Kahlo, Laurie Simmons, and Joan Jonas. It is fascinating to see how both women and men have commented on gender through their art.  Self-Portrait, from Bifur, no 5 (1930) by Claude Cahun; lightsgoingon , CC BY 2.0 , via Wikimedia Commons One such creative is Claude Cahun, a queer, gender-neutral, French-born writer, photographer, and performer. Cahun produced much of their work in the 1920s and 30s, but most of it was destroyed after they were incarcerated for resisting the Nazi regime. Their work challenged binary social const...

LGBTQIA+

Modern queer artists are helping to express the challenges and experiences of being queer in the United States. Two such artists are Max Binder and Mo Crist, whose performance of their work "Real Boy/Real Girl" speaks to the experiences and feelings of trans men and women, touching on expectations of gender and how they are often forced onto young trans, non-binary, and queer people.  Kay Ulanday Barrett's " song for the kicked out " is another powerful piece about the queer experience:   the streets are not paved with gold, they lied I got a rough throat, i got a rough life the streets are not paved with gold, they lied I got too much queer in me to live their way tonight.      she found me waist up in you she had found me mouthful, drinkin’ you   mama said that I was the devil, made this journey here a waste, made too American and too unruly couldn’t I just wear dresses, make money, and behave?      mama said leave this house, her spir...